Apple II Bits

My recent blog post about Jeri Ellsworth produced an unexpected response on Facebook: it stoked the feud between Apple II and Commodore 64 users. “I didn’t know Jeri was also interested in Apple II computers as well. I thought she was just a Commodore girl,” wrote one of her friends. “I absolutely hated Apple systems when I was a kid. I thought they were so inferior to Commodore and overpriced. Plus they were ugly.” Although this particular fan matured to appreciate both platforms, it underscores the rivalry and intense passion that platforms of the Eighties (and Apple products today) inspire.

I’ve never used a C64 so don’t understand any antagonism that may have once existed or still does. But I have noticed what appears to be a difference in motivations among modern retrocomputing enthusiasts: Apple II users are more technically inclined, making their machines perform technological feats such as putting it on the Internet; whereas the output of C64 users is more artistically inclined. At least, that’s the conclusion I’ve come to after observing something as amazing as the C64’s own music video, courtesy Press Play on Tape:

There’s also a "Happy Computer" mashup that’s a bit stranger but still creative. More impressive is this gallery of pixel art, depicting amazing works of art recently drawn on a Commodore 64.

Even their sense of humor is remarkable, as demonstrated by this spoof of how Apple would market the C64:

I don’t mean to discount the Apple II’s impressive demo scene, but that is largely the work of decades past, with nothing recent to compete against the C64. I don’t know that I prefer C64 users’ approach to the more practical applications to which Apple II users dedicate themselves; each is its own kinds of art. But is there something about the Commodore 64 and its users that better lends themselves to these amazing visual and musical accomplishments? Will the Apple II ever have its own music video?

Advances in technology have made the creation of music easier, but it hasn’t necessarily made the music itself better. Sometimes, you have to step backward to achieve true artistry.

That’s the philosophy of chiptune music, which employs retrocomputers, from the Nintendo Game Boy to the Apple II, to create original tunes with a classic sound. Perhaps my favorite group in this genre is 8 Bit Weapon, which has been rocking the chiptune scene for over a decade, including on national and international tours, video game soundtracks, and exclusive events.

I’m fortunate to have interacted not just with 8BW’s music, but with the musicians themselves. I interviewed Seth Sternberger of 8BW for the December 2007 issue of Juiced.GS, two years after I’d first heard Alon Waisman, an old friend of mine from the days of CompuServe, interview Seth on his ChatterBox Video Game Radio Show. In preparation for my interview, I’d listened to the music group’s free downloads, but it wasn’t until 2009 that I voted with my wallet. I purchased and reviewed 8 Bit Weapon’s Electric High EP album in Juiced.GS Volume 14, Issue 3 (September 2009). I dug most of the CD’s six tracks, but the first feature anyone is likely to notice is the packaging:

The CD is found in an eviscerated 5.25″ floppy disk that’s been slit open and the disc inserted, right alongside the original floppy media, then placed in a disk sleeve. It may seem cruel to cannibalize the format that brought us so many fond memories, but it’s also encouraging to see them be given new life as a home to music that’s representative of the era.

Several of their songs, and even some full albums, are available for download from their online discography, but this summer, you can do one better and hear them perform live. The Disko Apocalypse Tour is currently underway, with their next performance is tonight at San Francisco’s DNA Lounge, followed later this year with shows in Las Vegas and Portland, Oregon. Their full tour schedule is still TBD. I invited them to perform at KansasFest 2010, an Apple II convention occurring in Kansas City this July; maybe the Power & Light District would be an attractive venue? Unfortunately, neither 8BW nor KFest could coordinate this event. Both parties look forward to a future opportunity; in the meantime, the band will be represented as a prize at this year’s KFest.

If you happen to be flush with cash and want 8 Bit Weapon to come to your town, you can invite them for the cool sum of $5,000 via Kickstarter, an entrepreneurial site that accepts pledges to support independent projects by offering personalized rewards to potential investors. I first became aware of Kickstarter through Jason Scott‘s successful venture to finish GET LAMP. I’ve since become a supporter of the open-source social networking software Diaspora as well as the 8 Bit Weapon tour that I myself will not get to attend. I debated whether to make that investment — shouldn’t it be the band’s responsibility to conduct a tour that is financially solvent? I decided that there is little chance for any band operating in the chiptune genre to be profitable, and that it’s up to us other little guys to support causes that we believe in.

Music deserves to be made and heard — especially good music.

Enjoy the tour!

Panic is one of my favorite software developers. Besides making Transmit, an excellent FTP client for Mac OS X, they also have a great attitude. One of its founders ran the amusing Web comic Spamusement! He and his cohorts recently welcomed a new employee to Panic with a vegan cooking competition. And last year, they had a professional artist develop box art for their products as if they were Atari 2600 games — which led Jason Scott to hire that same artist to create the cover art for his upcoming documentary, Get Lamp.

Yesterday, Panic graciously accommodated a fan’s request. Stewart Smith wrote to Panic with a link to an Apple II music video he had made in 2005, set to the song “Jed’s Other Poem (Beautiful Ground” from the album The Sophtware Slump by Grandaddy:

Mr. Smith’s request was simple: could the developers at Panic run this program on the Apple IIe they had in their office? Sure, they responded … but the source code was in the format of an AIF sound recording, as would be used by an Apple II’s cassette tape storage device. Without a cassette tape deck, how would Panic load this file back onto an Apple II? Any modern device with an audio output jack could play the file into the Apple II’s audio input — so Panic decided to use their iPad.

There’s nothing technically impressive about this hardware collaboration, but it’s still extremely awesome to witness. Kudos to Panic for acknowledging their roots and pleasing the fans by inventing the “JediPad”.

(Hat tip to Jason Scott)