Apple II Bits

Brian Fargo is at it again. After creating The Bard’s Tale and Wasteland on the Apple II for Interplay three decades ago, he revived the latter franchise in 2012 via Kickstarter; the result, Wasteland 2, has an 81% average rating. Now Fargo seeks to crowdfund a revival of The Bard’s Tale:

https://www.kickstarter.com/projects/inxile/the-bards-tale-iv

More than a concept, the game already has an in-engine graphics demo that looks quite impressive:

However, there’s more to a series than its titular lineage or polygon count. Any time a franchise is revived years after its debut, there’s a question of how much of the original talent is still involved. Two years ago, Richard Garriott successfully crowdfunded a game called Lord British’s Shroud of the Avatar: Forsaken Virtues. It doesn’t have the name "Ultima", and it wasn’t published by Origins or Electronic Arts — but it’s nonetheless an Ultima game in all but name only, as only the creator of that fantasy world could produce.

@blair_leggett I can't control EA plans for the word Ultima. But we all know that only my team can create the true heir to my previous work.

— Richard Garriott (@RichardGarriott) April 6, 2011

Similarly, The Bard’s Tale may not involve the most prominent developers and designers to contribute to its last outing. Rebecca Heineman, programmer of 1988’s The Bard’s Tale III: Thief of Fate, says she offered to contribute to Fargo’s latest project — an offer that was declined. Her team at Olde Sküül is instead working on a dungeon crawler of their own, entitled Dragons of the Rip — prompting her to ask on Facebook, "Do you want a game by someone who financed Bard’s Tale, or by the people who actually MADE Bard’s Tale III?"

Fortunately, we do not live in an either-or world. Fargo’s Kickstarter will almost certainly achieve its crowdfunding goal of $1.25M — at the time of this writing, it’s 85% funded with 34 days to go — so we can look forward to playing both The Bard’s Tale and Dragons of the Rip. It’s a good time to be a retrogamer!

UPDATE (11-Jun-15):

Exciting news today: every backer of The Bard’s Tale IV ($20 or more) will get free digital copies of the original The Bard’s Tale, The Bard’s Tale II: The Destiny Knight and The Bard’s Tale III: Thief of Fate!

The emulated versions of the classic games will be released for free at the end of the campaign for every backer at $20 or higher, and distributed through our backer web site. This is our way of giving our thanks back to you for all your support and helping us bring back The Bard’s Tale.

Some of you may know that the emulated versions of these games work on most modern machines, but are a little rough around the edges. Thus, we have an agreement with the original The Bard’s Tale III programmer Rebecca “Burger” Heineman and her company Olde Skueuel to update the games for modern machines! She will be working to make the games run natively, without needing emulators, on PC or Mac. This re-releases will be primarily based on the Apple IIGS versions of the games, along with updated art.

Followers, fund this. You know you should. https://t.co/oLqtzts8PH

— Rebecca Heineman (@burgerbecky) June 10, 2015

I could do an entire blog — not just a blog post, but a blog — on the many Kickstarter campaigns influenced by the 8-bit era of computers. We’ve seen the return of games, franchises, and styles such as Maniac Mansion, Ultima, Shadowgate, Leisure Suit Larry, Wasteland, and interactive fiction; documentaries on Sierra On-Line and the 6502; and concerts including 8 bit Weapon’s.

Oregon Trail alone has prompted several Kickstarters, from the successful Organ Trail to the failed Dead Man’s Trail. The latest game likely to join the camp of successful projects is Orion Trail, which combines the gameplay of Oregon Trail with the humor of Space Quest and Galaxy Quest.

https://www.kickstarter.com/projects/schellgames/orion-trail

The best Kickstarters are those that come to the table with not just a concept, but a prototype — and Orion Trail delivers. If you have the Unity browser plugin installed, you can play an early version of Orion Trail today. I went a few rounds and enjoyed the graphics and humor, but I was demoralized by some of the scenarios my crew encountered. Whether I was being boarded by aliens, encountering space merchants, analyzing an asteroid, or attacking a doomsday machine, I always had three choices, and each seemed equally likely to produce a satisfying solution. No matter my choice, the game spun a random number wheel that somehow determined the result. Perhaps it was this peek at the game’s inner workings, but I didn’t feet like it mattered what choice I made.

On the bright side, you’ll notice some obvious homages to classic computing. "The music was made with the SID emulation engine on an Elektron Monomachine," says the project page. "You’ll recognize the SID’s distinctive sound from your fondest memories of gaming on a C64 back in the day." Wrong computer for the Apple II community, but admirable nonetheless!

Developer Schell Games looks to release Orion Trail for Mac, Windows, and Linux in December 2015. The game has been Greenlit on Steam, which means when and if Orion Trail is published, it has been approved for distribution on the Steam game platform. Early Access will occur around August.

Before all that happens, the project must obtain a minimum of $90,000 in crowdfunding by March 12. It’s currently a third of the way there, which bodes well: in Kickstarter’s history, 79% of projects that raised more than 20% of their goal were successfully funded. It’s likely we will all be making a star trek along the Orion Trail later this year.

I have died.

UPDATE (13-Mar-15): This crowdfunding campaign successfully concluded with $97,801 — 108% of the minimum.

(Hat tip to Jenna Hoffstein)

This summer, Ron Gilbert unearthed his Maniac Mansion design notes. What was a seemingly nostalgic trip down memory lane may in fact have been the first steps toward the future: a return to his roots, crowdfunded on Kickstarter.

That’s where Gilbert and Gary Winnick, Maniac Mansion co-designer, have successfully funded Thimbleweed Park, a new point-and-click adventure in the style of Maniac Mansion. "Why do we want to make Thimbleweed Park?" asks their campaign, which concludes the afternoon of Thursday, December 18. "Because we miss classic adventures and all their innocence and charm."

https://www.kickstarter.com/projects/thimbleweedpark/thimbleweed-park-a-new-classic-point-and-click-adv

Ken Macklin, who designed Maniac Mansion’s cover art, will return for Thimbleweed Park. So will David Fox, Lucasfilm’s SCUMM scripter who decided to put the hamster in the microwave. And while the game will feature classic pixel art, there’ll be a modern soundtrack by Steve Kirk. Writes Gilbert:

Don’t get me wrong, I loved the SID chip, PC speaker, the Adlib card and amazing digital sound of the SoundBlaster (that still sounded like it was coming out of a PC speaker), but so much ’emotional data’ can be carried in music and your eyes are already bleeding from the awesomely retro art, so why should your ears bleed too?

With all that said, though… what about the gameplay? I’m concerned that the interface appears a little too old school, which, as the developers of Shadowgate recently learned, isn’t necessarily designed with modern gamers in mind. And what of the puzzles — will they be more logical? Or will be be sticking hunks of cheese in car ignitions? Gilbert’s last game, The Cave, promised to be reminiscent of Maniac Mansion, with multiple playable characters, each with unique talents. But the game didn’t exactly tear up the charts.

That all said, I’m willing to give this team and game a chance. I’ve backed Thimbleweed Park for $20 mark, essentially preordering the finished product, due for delivery in June 2016. I am sorely tempted to kick it up to $50, at which level the reward is having my name and phone number included in an in-game phonebook — and when players dial that number, they’ll get my actual voicemail! Either way, stay tuned to this blog in two years to hear my thoughts on what comes next from Gilbert & Co.

The gaming industry is currently experiencing the popularity of three trends: indie studios, retrogaming, and zombies. All three converge in in an upcoming remake of Oregon Trail in which you travel across the country through hordes of undead.

Wait — didn’t I already write that blog post? Three years ago, I was playing Organ Trail, a free browser game that later held a successful Kickstarter to release a director’s cut edition on Mac, Windows, Linux, iOS, Android, and Ouya.

So what’s new in 2014? Dead Man’s Trail, a modern action/resource management game inpsired by Oregon Trail. Development studio E4 Software is aware of the precedent of Organ Trail and is taking their game in a different direction:

We’re very aware of the existence of Organ Trail and are actually very big fans of the game. We were in early planning stages when Director’s Cut came out but decided to move ahead with DMT anyway because we had ideas for things that differentiated us from Organ Trail, such as giving each party member a specific role, having procedurally generated 3D looting levels, having one resource perform several different functions (bullets are ammo and currency), etc.

Where Organ Trail elicits its charm from using mechanics and presentation elements from the original, think of ours as an expanded follow up that wants to go beyond the original Oregon Trail to create a Walking Dead/World War Z atmosphere. We’re hoping that several years on from the release of Organ Trail, fans of that project will see our game and want to play it as a next step.

I’m excited to see a game that offers more customization than the traditional Oregon Trail format — most notably, characters with unique skills, such as firearms expert, paramedic, and mechanic (think Left 4 Dead); and different vehicles. If you had to plow through a sea of zombies, would you do so in a station wagon? No way! Give me a school bus or 18-wheeler… and leave me to be concerned about fuel economy after we break down in the middle of nowhere.

The looting element of the game is where Dead Man’s Trail most notably diverges from the Oregon Trail formula. Although inspired by the original game’s hunting sequences, looting occurs in urban settings from a 3D, isometric perspective. It’s not an experience I looking forward to grappling with on a mobile device’s tiny screen.

Whereas Organ Trail kept much of Oregon Trail’s gameplay and aesthetic, Dead Man’s Trail is potentially much more ambitious. Correspondingly, Organ Trail needed only the realistic sum of $3,000 in crowdfunding, whereas DMT is asking for $50,000 on Kickstarter.

Dead Man’s Trail is halfway through its one-month crowdfunding campaign and has raised less than 5% of its goal. The game is far enough along that it will likely see release one way or another, but Kickstarter will help ensure the final product is timely and true to the creators’ vision. If all goes well, we’ll see Dead Man’s Trail hit Windows, Mac, Linux, Android, and iOS this October.

We retrocomputing enthusiasts have seen Kickstarter used for books (The First Apple, <a href=”http://www.kickstarter.com/projects/845678003/electronic-version-of-classic-whats-where-in-the-a” title=”Electronic version of classic ‘What’s Where in the Apple” by Robert M Tripp — Kickstarter”>What’s Where), games (Shadowgate, Ultima), and documentaries (GET LAMP, 6502). Now it’s time to open your wallets again, as the latest project to warrant an Apple II user’s investment is a documentary of Sierra On-Line.

https://www.kickstarter.com/projects/772847014/the-history-of-sierra-on-line-through-a-documentar

Sierra On-Line was the developer and publisher of such classic point-and-click adventure games as the noble King’s Quest, comedic Space Quest, avaricious Gold Rush!, and lascivious Leisure Suit Larry (a modern remake of which was published just last month, courtesy Kickstarter). Many of these franchises got their start on the Apple II, so naturally we should be keen to back this project, right?

I bid caution: Kickstarter is an investment platform, and you’d do well to research this project. In this case, this project already toured the Kickstarter circuit in 2012, when the creators asked for $40,000; they received $1,312. Their pitch video at the time consisted entirely of gameplay footage and title cards — no interviews, no introductions, no voiceovers. To their credit, that initial fundraising failure didn’t deter the film crew, as their new pitch video demonstrates they’ve spent the past year conducting interviews with Sierra On-Line luminaries. Having that in their pocket may justify their new request for $125,000. (Makes you wonder what they were hoping to accomplish with just a third that sum!) They have thus far received $10,367, or nine times more than their last effort — but it’s a slow start, an still a long ways from their goal.

One thing missing from their new video is the talent behind the camera. I’d like to know that the documentarians dedicating themselves to this project are as passionate about adventure gaming as they need their backers to be. The enthusiasm that Dave Kellett and Fred Schroeder brought to their comic strip documentary, Stripped, was contagious and, I suspect, a large part of why it raised double its goal on its first Kickstarter and its second Kickstarter. Between the lack of personality in the video and the relatively terse text write-up, the drive behind the Sierra On-Line film is not as explicit.

The Sierra On-Line documentary is entitled Heroes, an improvement over the original name, So You Want To Be A Hero? One backer suggested, why not call it Quests? I like the ring of that, since it abstracts and plays upon the King’s/Space/Police Quest series. The project creators acknowledged and thoughtfully responded to that suggestion:

We chose the title Heroes for the film for a variety of reasons. Chief among them, the term "Hero" was a theme rooted in the adventure games. From the perspective of all of us who played the games, we had the opportunity to be a hero. We also felt that this was an appropriate term that serves as an homage to all of those at Sierra who worked tirelessly to create the games we all know and love a success.

Will this Kickstarter meet or even exceed its fundraising? Will the final film, scheduled for a March 2014 release, reveal anything new about this storied game company, or will it cater more to nostalgic fans? We’ll begin to have the answers when the Kickstarter campaign closes on the evening of August 5.

In the meantime, digital antiquarian Jimmy Maher, whom we interviewed this year on Open Apple, has written extensively about the history of Sierra. Although he’s not collected his works on this particular subject into a book, I encourage you to scroll through his posts and read them in the order in which they were published; the detail and accuracy of his narratives are remarkable.

UPDATE: This project has failed, having raised only $28,872, or 23% of its goal.

On Saturday, July 21, I gave a presentation at KansasFest 2012 about Kickstarter. I reviewed what the crowdfunding site is and how it works before presenting and analyzing examples of various campaigns. After reviewing successful projects (Double Fine, Leisure Suit Larry, Diaspora, TikTok, Pebble) and some unsuccessful or poorly designed ones (Rolling High, What’s Where in the Apple, MULE), I identified three qualities that lend themselves to meeting one’s crowdfunding goal: the fame, reputation, or track record of the artist (Jason Scott, Penny Arcade, Andrew Plotkin); a convincing pitch video (Huck Finn, Nataly Dawn) that doesn’t necessarily need to be expensive to produce; and attractive rewards (Pebble; Joulies).

Due to both the previous session and my own running long, after we watched Kickstarter pitch videos and dissected their strengths and weaknesses, I didn’t have as much time as I’d like for my presentation’s interactive component: brainstorming Apple II projects to launch on Kickstarter. I started by asking the audience what products we’d like to see that would require a financial investment, then who in the community has the reputation to attract a funding audience, followed by what the reward levels for such a Kickstarter campaign would be. As with all brainstorming sessions, I wrote down every idea regardless of feasibility. We then conducted an informal poll to narrow the choices to those bolded in the below table.

Note that the first two columns do not line up with each other or the other two columns, but the third and fourth columns line up with each other. Also, some reward levels (access to contributor-only blog) include the previous rewards, whereas others (two USB keyboard adapters) do not.

Of all the bolded projects, we deemed the USB adapter the most affordable and thus the most likely to be funded. The proposed adapter would not only work with keyboards, joysticks, and mice, but it would adapt them to multiple platforms: Apple II, Commodore 64, and more. As the Battle Chess Kickstarter campaign demonstrated, limiting your product to only one audience (in that case, Windows) diminishes your chances of getting funded: more potential customers equals more money, as evidenced by the success of many old franchises that are being revived for Windows, Mac, Linux, iOS, and Android.

A wide audience requires a creator with exposure and recognition beyond the Apple II community, for which reason I nominate Vince Briel. The inventory of Briel Computers, from the Replica 1 to the Micro-KIM to the ALTAIR 8800micro, appeal to retrocomputing hobbyists of many ages and interests, and Briel’s track record as a businessman, from shipping products to offering customer support, is unparalleled. Briel has the reputation that could get a Kickstarter project funded.

Briel was in the audience for this brainstorming session but did not actually drive this proposal. But if he were to accept it, I would be first in line to give him my money.

For more advice on how to run a successful Kickstarter campaign, check out Nelson De Witt’s A Kickstarter’s Guide free e-book and Tyler York’s "How to succeed on Kickstarter" blog post.

UPDATE (Oct 21, 2015):: Courtesy Kay Savetz, here is a video of my KansasFest session.