Apple II Bits

While putting together last week’s post of floppy disk music videos, I came across an odd and obscure video that demonstrates iTunes running on an Apple IIe. It is of course no more real than "Maxster", my Napster client for the Apple IIGS. But it’s a professionally shot composition that nonetheless doesn’t take itself too seriously, making it a fun and short watch:

In the video’s comments, the creator explains some of the steps he took:

Using a special app, the Apple IIe samples the audio and stores it on a floppy disk. Then, it can be played back from the floppy over the Apple’s internal speaker. It is a very primitive digital voice recorder using 1980s technology.

The goofy music at the beginning is from a 1957 film called In the Suburbs — this and many more films are available for download at archive.org under Prelinger archive. They are public domain so you can use and edit for YouTube. The clip at the end was actually coming from the IIe on a disc from the 80s — I think it’s What’s on Your Mind by the Information Society — Leonard Nimoy‘s voice was sampled saying “Pure Energy” in this song.

The video was uploaded a year ago this month and, at this time, has only 760 views. I should drop the uploader a line and ask him what his goal with the video was and his involvement with the Apple II. Faking a trick like this is one thing, but he obviously has some familiarity with and fondness for the actual hardware, wouldn’t you say?

Chiptune music is the art of using classic computing hardware to make original tunes. Usually, there’s software involved, such as DMS Drummer, and the result is emitted from the device’s inbuilt speakers.

Such is not always the case. Over the past few years, I’ve posted several videos of hard drives and printers making music, from Bohemian Rhapsody to "A Simple Text File". I also once posted a hard drive playing the "Imperial March", which proved popular enough on Digg to shut down my site. I don’t think that’ll happen this time, though, so please enjoy a floppy disk rendition of the march:

The artist’s Web site describes the method for producing this video:

The sound comes from a magnetic head moved by stepper motor. To make a specific sound, head must be moved with appropriate frequency… To move the head you need to activate the drive by pulling the DRVSB0 or 1 (depends on the cable you have and the connector – notice the crossover on the FDD ribbon cable) pin low and then falling edge on STEP pin makes the head move one step in direction dependent on DIR pin state. An ATMega microcontroller is generating those frequencies and it makes the drives play music.

Another variation is demonstrated on the Amiga using a seemingly different method:

Listen to Amiga floppy drive playing a simple music, however, not with the step motor which moves the head, but with the motor which spins the disk. This means that disk must be inserted to hear music. And there is no fear that floppy will break like with the step motor music!

I’ve yet to find any such musical demonstrations that feature an Apple II floppy disk. Do you have some? Let me know!

(Hat tip to Paul DeFilippo)

As mentioned on the latest episode of the Open Apple podcast, Brian Picchi has lately been putting out some remarkable YouTube videos. He started this time a year ago with a review of the IIGS itself. Lately he’s cast a wider net, highlighting a variety of Apple II products from games to NDAs. One of his latest is a review of the CFFA3000, the CompactFlash and USB card from Rich Dreher. It’s a card I had the opportunity to purchase in-person at KansasFest 2011. I passed at the time, as I was still months and thousands of miles away from my Apple II. Now I’m kicking myself, as not only does the card have scads more features than I realized, but the first batch sold out like hotcakes, with no more expected until 2012.

Brian’s video is a good overview of what will have you too lining up for the second batch:

If you’re looking for other ways to expand the hardware capabilities of your Apple IIGS, Brian’s overview of several peripherals is also worth a watch. And be sure to read the comments on this and his other videos — unlike most YouTube comments, these are quite knowledgeable and constructive, suggesting yet more ways to improve your retrocomputing experience.

Keep up the great work, sir!

Remember Lim Xin Mei? She was the inaugural star of the Cult of Mac’s "Me and My Mac" series, which profiles Apple users and their rigs.

That series apparently has a variety of scopes, as rather than continuing to offer an in-depth profile of an individual user, the second installment spotlights many Apple fans in a photo gallery that’s heavy on the visuals and light on the text. The change in format isn’t what surprised me most, though — it was finding myself pictured.

As I previously detailed, Mike Maginnis staged the above photo shoot and took several shots, including the above with my camera. Little did I know that he’d also snapped one of his own with his cell phone and submitted it to Cult of Mac.

As it’s an awesome opportunity to plug the Apple II, my surprise did not eventually shift into annoyance at the lack of forewarning. To be honest, I’m more disappointed in Cult of Mac’s lack of links back to the stars’ Web sites!

Given the quantity of photos in each Cult of Mac post, odds are good you’ll recognize someone in each. Sure enough, the third installment features James, co-host of the RetroMacCast podcast. As far as I can tell, this third blog post is also the first to not sport an Apple II, unfortunately.

What I want to know is: where the heck is Blake Patterson? The gallery won’t be complete without his setup!

Piracy is as much an issue today as it was thirty years ago: gamers who pay for their software are often penalized for the actions of those who won’t. But somewhere between the DRM and the theft is the actual hack. Today, that often amounts to little more than releasing a torrent of a disk image — once you’ve acquired and installed the warez, the experience is little different from a legitimate one. That wasn’t the case with the Apple II.

When the hacking medium was not DVD but 5.25" floppy, hackers had to break a different copy protection scheme for each piece of software. They demanded acknowledgement for their hard work, often placing their byline in the opening splash screen, even if it meant removing the programmer’s or publisher’s credit. Some especially creative hackers went beyond that simple substitution by editing the screen at large, producing original works of art.

Jason Scott has compiled an extensive collection of these crack screens. As far as I can see, there’s 794 screens, though fewer total games are represented, as often the same image is displayed in both color and monochrome; I would estimate the gallery includes 572 unique games. It’s fascinating to see both the art and the creative handles by which the pirates were known.

There’s little I can say about the Apple II pirate scene that hasn’t already been presented more exhaustively and eloquently by Scott in this presentation from Rubicon 2003.

However, there have been new developments since then. At KansasFest 2010, Martin Haye hacked Wizardry, producing his own splash screen for the occasion. With so much work being put into the crack itself, a programming genius such as Haye shouldn’t have to work even harder to leave his visual mark.

Antoine Vignau of Brutal Deluxe agrees and, at the request of Daniel Kruszyna, has created T40, a 40-column text-based editor. Itself a 24-hour hack job, T40 runs on any Apple II and offers an impressive array of keyboard commands with which to design and save ASCII art.

"Krüe" has started compiling images created in this program and welcomes your submissions via email. The collection thus far can be seen online, where you can also download an Applesoft BASIC self-running slideshow to display the artwork natively on your Apple II.

I make no commentary on the legality of ethicality of piracy — but the ones who engage in it are capable of amazing works of genius and artistry, which have just been made a bit easier.

(Hat tip to Mark Pilgrim)

Computers have come a long way since the Apple II, with important improvements to both hardware and software. But along the way, a few valuable computing aspects were lost.

A recent ITworld.com story looks at features that lost the evolutionary war: "… there are some things they don’t do that the old, slow, often command-line-intead-of-GUI-oriented applications did." The first page of the story focuses on the losses associated with the transition from a command-line interface (CLI) to a graphical user interface (GUI). One consultant laments the loss of programmable function keys and other shortcuts that extended keyboards once offered. These features were never available to the Apple II user, but I can commiserate with the need for shortcuts that don’t require a pointing device.

My first six years as a Macintosh predominantly took the form of a laptop (a PowerBook 1400cs) with an external trackball (an ADB Kensington TurboMouse). That trackball had four buttons that could be programmed for a variety of custom functions, such as right-clicking or switching applications. My right hand rarely strayed from that device, as it was impossible to use Mac OS Classic without it.

After switching to Mac OS X on December 7, 2003, I began to rely less and less. I found this reinvention of the Macintosh operating system featured keyboard-based shortcuts that I’d previously used the TurboMouse for. Now, I could switch windows, applications, and more while keeping my hands on the keyboard. In this way, OS X is actually a bit more similar to the Apple II with which I grew up. Navigating Microsoft Word will never be as intuitive or efficient as using AppleWorks, but it’s a bit closer.

With all my Macs having always been portable, it’s important for such power to be inbuilt, though I imagine those with desktop computers might enjoy the options such a stable position brings. For example, Andrew Plotkin, in an interview with The Setup (the same site that previously interviewed Bert Kersey), recommended the Matias Tactile Pro 3 keyboard, saying, "If your typing doesn’t sound like a hailstorm on a tin roof, you’re not typing." (This is despite the keyboard being connected to a MacBook Pro; says Plotkin, "I essentially never move it — I’m not a laptop person at heart.")

As a former or current Apple II user, by what input device or method do you prefer to navigate your modern computer? Is there particular hardware you favor or recommend?